Rows of old blue and white tin-glazed pottery drug jars with blank painted scrolls on dark wooden museum shelves, softly lit
AI-generated image, not a photograph of a real person or place.
doodledrug

AN INDEPENDENT MUSEUM GUIDE

The jar was
the label.

TWO SHAPES one for dry, one for wet

  • Look at the shape
  • Read the scroll
  • Check the glaze
  • Design history from museum collections

Old pharmacies were lined with painted pottery.

For centuries apothecaries stored their stock in tin-glazed earthenware jars, often with the contents painted on a scroll. Today these drug jars sit in museum cases, and their shapes and lettering tell you how a shop once worked.

Updated

Read a jar

THE SHORT ANSWER

Shape for the shelf,
paint for the name.

A drug jar had two jobs:
to be picked up easily, and to show what was inside.

THE ALBARELLO

A jar with a waist

The V&A describes the albarello as a tall jar for dry preparations, with a slim waist that could easily be grasped on the shelf.

Read a jar

THE WET JAR

Foot, handle and spout

Jars for 'wet' drugs such as syrups had a narrow foot to pull them from a row, a handle to tilt them and a spout to pour.

How they were made

THE WINDOW

Carboys and globes

Big glass vessels filled with coloured water stood in chemists' windows to advertise the trade inside, much like a barber's pole.

See the dates

READ A JAR

What does
the jar tell you?

Pick an object from a museum collection to see what it is and how it is marked. The bar shows how clearly the object names what it held.

Object check

Choose an object
Albarello, Valencia, 1435–1475A mark, not a name

Painted in cobalt blue and lustre. Its diamond panel carries an apothecary's mark rather than the name of the contents.

Albarello, Deruta, 1530–1550Blank scroll

The scroll is empty, so the jar could have more than one use. The V&A says the apothecary could write the name on a paper label or the parchment seal.

Drug pot, Castelli, 1550–1575Name in Gothic script

A scroll below the portrait panel names the contents in Gothic lettering: 'Isopus humida', which the V&A explains as wool fat.

Wet drug jar, London, about 1675–1685Named on a riband

English delftware with a winged angel's head over a riband inscribed S. CYDONIORU, for syrup of quinces.

Glass carboy, 1700s–1800sAn advert

Not a store jar at all. Filled with coloured water mimicking chemicals in solution, it advertised the shop from the window.

Sources: V&A collections records for the Valencia, Deruta, Castelli and London drug jars; The Pharmaceutical Journal, October 2019.

Objects described from the V&A collections database, The Pharmaceutical Journal's RPS museum treasures series and the Dittrick Medical History Center.

TWO NUMBERS WORTH KNOWING

Old jars,
two standard shapes.

One date for the oldest jar here,
one count of the shapes England made.

1435–1475

Date range of the Valencia albarello

A tin-glazed earthenware drug jar painted in cobalt blue and lustre, made in Valencia, Spain. A similar jar with the same apothecary's symbol is in the Louvre.

OLDEST HERE · V&A

2 types

Standard drug jar types made in England

The albarello for dry preparations and the footed jar for wet drugs. The V&A says both were made continuously in England from the late 16th century.

ENGLISH DELFTWARE · V&A

The V&A says that by 1800 delftware had given way to Staffordshire pearlware, that some Derbyshire brown stoneware drug pots followed by the 1830s, and that labelled glass bottles gradually took over during the 19th century.

FOUR THINGS TO LOOK FOR

Next time you pass
a museum case.

An old chemist's shop window with large glass carboys filled with red, green and blue coloured water catching the light
AI-generated image, not a photograph of a real person or place.

These clues come from the way the V&A catalogues its drug jars. They help you tell what a jar was for and roughly where it came from.

  1. The outline

    A slim waist means an albarello for dry stock; a foot, handle and spout mean a jar for syrups and other wet preparations.

  2. The scroll

    Look for a painted scroll or riband. It may carry an abbreviated Latin name, an apothecary's mark, or nothing at all.

  3. The rim

    Flanges on the rim let a paper or parchment cover be tied on, which is how jars were sealed.

  4. The colours

    The V&A says cobalt blue was essential for lettering pharmacy jars. Its records also note lustre, green and yellow on some jars.

HOW THEY WERE MADE

Tiles, then
pharmacy jars.

A single slim-waisted albarello drug jar painted in blue, green and yellow with an empty scroll label, in a museum display case
AI-generated image, not a photograph of a real person or place.

The V&A says the first Netherlandish potters to make delftware in England aimed specifically at two markets: floor tiles and pharmacy jars. Both could be painted with cobalt blue and other oxide colours, which made it possible to letter a jar.

In the window, things were more theatrical. The Dittrick Medical History Center says show globes, lit with a lamp and a mirror, worked as signage much like barber poles. The Pharmaceutical Journal notes that today's carboys are usually filled with food colourings, as many original colours used hazardous chemicals.

Questions

Questions people ask

What is an albarello?

A tall pottery jar with a slim waist, used for dry preparations in old pharmacies. The V&A says the waist let it be grasped easily on the shelf.

Why are some drug jars labelled and others blank?

Many have the contents painted on a scroll. Blank ones were occasionally made so a jar could serve more than one purpose, with the name written on a paper label or the parchment seal instead.

What does tin-glazed earthenware mean?

The V&A catalogues these jars as tin-glazed earthenware. One Deruta albarello, for example, is covered outside with a white tin glaze and inside with a clear lead glaze. In England this ware is known as delftware.

What were carboys for?

Advertising. The Pharmaceutical Journal says these large glass vessels were filled with coloured water mimicking chemicals in solution and displayed in chemists' windows as glass-making improved in the 1700s and 1800s.

When did pottery drug jars go out of use?

Gradually. The V&A says delftware gave way to Staffordshire pearlware by 1800, and that labelled glass bottles of prepared medicines became available during the 19th century.

Sources

Where the facts come from

  1. V&A: Drug jar for syrup of quinces, London, about 1675-1685
  2. V&A: Drug jar (albarello), Valencia, 1435-1475
  3. V&A: Drug jar with coat of arms and blank scroll, Deruta, 1530-1550
  4. V&A: Drug pot inscribed 'Isopus humida', Castelli, 1550-1575
  5. The Pharmaceutical Journal (RPS museum treasures): The carboy, a pharmacy icon
  6. Dittrick Medical History Center: The colourful history of show globes

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